Commercial Editor Carla Luffe On Knowing When to Let a Project Go

There’s a moment in any creative career when you stop trying to fight the unknown and learn to embrace it.…

Award-Winning Commercial Editor Ellie Johnson on Using Sleight of Hand and Loving the Process

The beautiful thing about being a producer is that there’s no real job description. Also, the ugly thing about being…

5 Takeaways for Editors from Richard Pearson of Wonder Woman 1984, Quantum of Solace, and The Bourne Supremacy

Explore the versatile world of editor Richard Pearson. From comedies like Bowfinger to franchise hits like Iron Man 2, his…

‘Minari’ Editor Harry Yoon, ACE on Audience/Character Connections

Learn the acclaimed editor’s guiding principles for editing the Oscar-nominated film for universal appeal.

Behind The Work, Episode 1: Commercial Editor Lucas Harger on Poetry and Editing

Behind the Work is a series by Filmsupply that brings you lessons from leading creatives who share essential techniques they…

Editing 165 hours down to 70 minutes for Quibi’s New Docu-Series

An editor’s perspective is key to the success of a film. Their mindset affects every aspect of the cut, the…

6 Tips for Editors Working From Home

If you’re reading this, chances are you’re one of the millions of people around the world who’s spending more time…

The Women Behind the Film: 5 Editors Who Shaped Cinema

The editors behind a film might be the most under-celebrated aspect of the filmmaking process. They almost never get the…
Editor-Michael-Ruscio

5 Tips from Acclaimed Editor Michael Ruscio, ACE

As an editor, Michael helped bring television into the major leagues in the early 2000s, editing throughout the entirety of…