We take an in-depth look at how the IFRD changed everything for a top post-production company.
Filmsupply sent shockwaves through the filmmaking industry with the release of the Instant Footage Research Device (IFRD).
Learn how Final Cut NYC editor Matt Carter created a cinematic NYC narrative for Nas’ video “Ugly,” with the help of Filmsupply footage.
After 30 days and over 900 submissions, it’s time to announce this year’s Filmsupply Edit Fest winners.
Enter Filmsupply’s Edit Fest for a shot at over $50K in prizes, including an all-expenses-paid trip to Sundance Film Festival and feedback from industry-leading judges.
Enter Filmsupply’s Edit Fest for a shot at $50K, feedback from industry-leading judges, and an official credit as the editor of a rising star’s latest music video.
Behind the Work is a series that lives at the intersection of advertising and film, and pulls the curtain back to give you a firsthand look into the creative processes behind branded content and ads. Each episode is an opportunity to dive deeper into what makes these projects truly great—the challenges faced, the detail you didn’t notice in the final cut, and above all, the grit and resilience it takes to create brilliant work.
They say, “A bad carpenter blames his tools.” But, if you’re looking on the bright side, the right tools can be made even more effective when put in capable hands. We see it all the time at Filmsupply—creatives license our filmmakers’ incredible work and turn it into something new and incredible. We live for it, but we don’t often get to take a peek into the process behind it, this metamorphosis. Luckily, Michael Quinones and Ian Watt gave us this rare glimpse.