Filmsupply Joins New FM Family of Brands

Filmsupply announced today that the brand has restructured under FM, a new parent company that also includes Musicbed, the filmmaking…

4 Elements of Receiving Creative Feedback

On this blog, we’ve covered the art of receiving feedback from a general sense. But, this time around, we’re getting…

Going from Assistant Editor to Editing Your First Feature: An Inside Look

It’s one thing to look back on a career and reflect on what you’ve learned. We’ve talked to plenty of…

The Gatekeeper: Editor Andrew Weisblum on The French Dispatch

A significant number of editor Andrew Weisblum’s credits reflect sustained collaborations with noted filmmakers, including Darren Aronofsky (The Wrestler, Black…

Netflix’s ‘The Politician’ Title Sequence, Beat by Beat

Steve Jobs has an astute quote about getting things right: “Details matter.” While it may not be the most radical…

Camera Rigs, Football Choreography, and Making “Crazy Shit” With Stept Studios

Our latest entry into Behind the Work gives you a peek behind the curtain, into the trick behind the magic.…

Choosing the Right People for the Right Projects and Putting Creativity First With Czar Producer Lander Engels

Producers are the ultimate middle-man, balancing the tension between clients, directors, crew, and of course, the budget. It can be…

Netflix’s ‘Ratched’ Title Sequence, Beat by Beat

In a way, title sequences serve an entirely different purpose than the introduction of a show. They’re most likely compared…

Zen Serenity: Producer Javier Alejandro’s Approach to Pulling Off Massive Productions

It can be hard to pinpoint what a good producer looks like because the problems they face are never the…

Commercial Editor Carla Luffe On Knowing When to Let a Project Go

There’s a moment in any creative career when you stop trying to fight the unknown and learn to embrace it.…