{"id":5136,"date":"2021-01-15T13:48:07","date_gmt":"2021-01-15T13:48:07","guid":{"rendered":"http:\/\/sfsfilms.wpengine.com\/?post_type=films&p=5136"},"modified":"2022-09-20T17:23:30","modified_gmt":"2022-09-20T17:23:30","slug":"life","status":"publish","type":"films","link":"https:\/\/fsfilms.wpengine.com\/life\/","title":{"rendered":"Life"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” bg_image=”5149″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”light” text_align=”left” top_padding=”150″ bottom_padding=”150″ class=”bts-article-section” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column centered_text=”true” column_padding=”padding-5-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ font_color=”#000000″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

Behind the Scenes<\/h4>\n[\/vc_column_text][vc_column_text max_width=”800″]\n

The Miracle of Life: Harnessing Trauma, Puppets, and Two Bold Imaginations<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”100″ class=”bts-article-section article-black-text” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ font_color=”#000000″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Several times during our conversation, Director\u00a0Rune Milton Olsen<\/a>\u00a0literally jumped out of his chair and started pacing around the room when talking about the production of\u00a0Life<\/em>. DP\u00a0Paul Meyers, ASC<\/a>\u00a0would laugh, as if this was nothing new, mirroring his enthusiasm. They\u2019re the two minds behind the short film, made for\u00a0Doctors Without Borders<\/a>, and to say it was a passion project is quite the understatement.<\/p>\n

But, these two filmmakers are connected for different reasons. For Rune, as a father, he wanted to bring a universal perspective to birth and life. For Paul, he was bringing personal trauma to the situation; it was something \u201csacred\u201d he needed to do. Either way,\u00a0Life<\/em>\u00a0was more than a commercial project.<\/p>\n

\u201cBirth is universal and life is universal\u2014for rich people, poor people, whoever,\u201d Rune said. \u201cI wanted everyone to be able to feel and experience this story, to tell it backward, to understand the context at the end instead of establishing the scene around this beautiful, horrible context.\u201d[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” translate_y=”-200″ zindex=”10″ enable_gradient=”true” color_overlay=”rgba(255,255,255,0.18)” color_overlay_2=”#ffffff” gradient_direction=”top_to_bottom” overlay_strength=”1″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column centered_text=”true” column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ 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